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Many historians aver that the newspaper reports cited above were misguided. The confusion arose in British Indian press since a different song, "Badshah Humara" written in Hindi by Rambhuj Chaudhary,[17] was sung on the same occasion in praise of the monarch. The nationalist Indian press stated this difference of events clearly:
"The proceedings of the Congress party session started with a prayer in Bengali to praise God (song of benediction). This was followed by a resolution expressing loyalty to King George V. Then another song was sung welcoming King George V." (Amrita Bazar Patrika, Dec.28,1911)
"The annual session of Congress began by singing a song composed by the great Bengali poet Ravindranath Tagore. Then a resolution expressing loyalty to King George V was passed. A song paying a heartfelt homage to King George V was then sung by a group of boys and girls." (The Bengalee, Dec. 28, 1911)
Even the report of the annual session of the Indian National Congress of December 1911 stated this difference:
"On the first day of 28th annual session of the Congress, proceedings started after singing Vande Mataram. On the second day the work began after singing a patriotic song by Babu Ravindranath Tagore. Messages from well wishers were then read and a resolution was passed expressing loyalty to King George V. Afterwards the song composed for welcoming King George V and Queen Mary was sung."
On 10 November 1937 Tagore wrote a letter to Mr Pulin Bihari Sen about the controversy. That letter in Bengali can be found in Tagore's biography Ravindrajivani, volume II page 339 by Prabhatkumar Mukherjee.
"A certain high official in His Majesty's service, who was also my friend, had requested that I write a song of felicitation towards the Emperor. The request simply amazed me. It caused a great stir in my heart. In response to that great mental turmoil, I pronounced the victory in Jana Gana Mana of that Bhagya Bidhata [ed. God of Destiny] of India who has from age after age held steadfast the reins of India's chariot through rise and fall, through the straight path and the curved. That Lord of Destiny, that Reader of the Collective Mind of India, that Perennial Guide, could never be George V, George VI, or any other George. Even my official friend understood this about the song. After all, even if his admiration for the crown was excessive, he was not lacking in simple common sense."[18]
Again in his letter of 19 March 1939 Tagore writes:[19]
"I should only insult myself if I cared to answer those who consider me capable of such unbounded stupidity as to sing in praise of George the Fourth or George the Fifth as the Eternal Charioteer leading the pilgrims on their journey through countless ages of the timeless history of mankind." (Purvasa, Phalgun, 1354, p. 738.)
Moreover, Tagore was hailed as a patriot who wrote other songs too apart from "Jana Gana Mana" lionising the Indian independence movement. He renounced his knighthood in protest against the 1919 Jallianwala Bagh Massacre. The Knighthood (i.e. the title of 'Sir') was conferred on him by the same King George V after receiving the Nobel Prize in Literature for "Gitanjali" from the government of Sweden. Two of Tagore's more politically charged compositions, "Chitto Jetha Bhayshunyo" ("Where the Mind is Without Fear", Gitanjali Poem #35) and "Ekla Chalo Re" ("If They Answer Not to Thy Call, Walk Alone"), gained mass appeal, with the latter favoured by Gandhi and Netaji.[citation needed]
Jana-Gaṇa-Mana Adhināyaka jaya hē, Bhārata-Bhāgya-Vidhātā
Pañjāba Sindha Gujarāta Marāṭhā, Drāviḍa Utkala Baṅga
Vindhya Himācala Yamunā Gaṅgā, Ucchala Jaladhi Taraṅga
Tava śubha nāmē jāgē, Tava śubha āśiṣa māgē,
Gāhē tava jayagāthā.

Jana-Gaṇa-Maṅgala-Dāyaka jaya hē, Bhārata-Bhāgya-Vidhātā,
Jaya hē, jaya hē, jaya hē, jaya jaya jaya jaya hē.
Source : https://en.wikipedia.org/wiki/Jana_Gana_Mana

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